Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Revision tasks


The Guardian 13th May 2019
·        Audience and Readership- who, how are they targeted, what pleasures/uses (look at articles but also adverts) cut out and paste egs

·        Analysis The Guardian print – covers- look at hard news/soft news/news values/ratio text, image, look at representations and language

·        Look at first ten pages examples of news values/ topics/ of hard and soft news, when does soft news start and print eg

·        Guardian website – screengrab main stories and analyse, what are the links
·        Social media/twitter/fb/Instagram screengrab look at posts and comments choose some good examples

·        Guardian website screengrabs of each link (point out no comments underneath each story)

·        Print grab in the week in 1829, subscribe or contribute sections, what do they say, what are they there for


AND COMPARE WITH 

Daily Mail 13th May 2019
·        Audience and Readership- who, how are they targeted, what pleasures/uses (look at articles but also adverts) cut out and paste egs

·        Analysis The Daily Mail print – covers- look at hard news/soft news/news values/ratio text, image

·        Look at first ten pages examples of news values/ topics/ of hard and soft news, when does soft news start and print eg

·        DM website – screengrab main stories and analyse, what are the links (point out no comments underneath each story)

·        Social media/twitter/fb/Instagram , they also have loads more than Guardian screengrab look at posts and comments choose some good examples
·        Guardian website screengrabs of each link


News revision

News Values - CUPPTUNE revise these and apply them

Continuity - already in the news, continuation
Unexpectedness - a shock or out of the ordinary
Personalisation - human interest story
Proximity (closer to home)
Threshold - the bigger the impact and reach
Unambiguity - shock or out of the ordinary
Negativity - if it bleeds it leads
Elite persons/places



FACTS TO REMEMBER - after news 2 assessment!

Political contexts

  • Newspaper aligned to political parties or ideologies. Leveson report criticised links between politicians and newspaper producers.
  • UK has history of Press Freedom- no legal interference but permitted to be politically biased.
  • Power of online media- fake news, Cambridge Analytica. IPSO

THE GUARDIAN                                                
THE DAILY MAIL                                               
Broadsheet
Mid-market tabloid
Left leaning/Labour/Lib Dem
Right wing/Conservative
More Remain/Pro European
Pro-Brexit/Anti European
Middle class 18+ (uni paper)
ABC1
Middle aged, middle England C1C2D
Forward thinking, liberal
Traditional British and pro Royal values
Hard/World news with a specialty edition every day of the week ie creative, cooking etc well known guide to the arts
Sensationalises hard news, focuses more on soft and celeb news as well as local UK stories. Takes itself seriously with absurd stories.
Tends to be more objective –top journalism is a priority
Tends to be more subjective – takes liberties with the truth



Interesting facts:
  • Newspapers supporting Brexit before the referendum were Daily Mail (the most articles), Daily Star and Daily Telegraph
  • The new editor for the Daily Mail is Geordie Greig who always supported Remain when he led the Mail on Sunday
  • Newspapers supporting Remain The Guardian, Daily Mirror and Financial Times (not left wing)
  • The average reading age of the UK population is 9 years – that is, they have achieved the reading ability normally expected of a 9 year old. The Guardian has a reading age of 14 and the Sun has a reading age of 8.
  • 2017 saw a large number of ‘multiple’ complaints, where more than one similar complaint was made about the same article, which has contributed to the high number of complaints received. Unsurprisingly, newspapers with the largest circulations received the highest number of complaints with The Sun topping the list of most complaints received with 4,847 complaints, followed by the Daily Mail (4,176), Mail Online (3,536), Metro (1,500) and The Mail on Sunday (1,452).

LIAR Grid for Newspapers

Use this grid and adopt your notes depending on the edition you are revising from. Keep adding to it as you learn more facts .

L                                                                                                                                                   Media Language

I                                                                                                                                               Industry
Genre conventions: Changed to tabloid size in 200 but retains many genre conventions of its original broadsheet form:
Masthead- blue with white font- recently changed from sans serif to a serif, slightly more ornate font, perhaps to connote/signify more serious or sophisticated brand
Headline- paraphrases Trump’s denial of criticising the British PM; the recently coined phrase “fake news” is synonymous with Trump and creates slightly mocking representation of the US president. See industry.
Splash and copy- words with negative connotations used to describe Trump as “rambling and occasionally surreal” in an “extraordinary press conference” covering a “dizzying range” of topics. The discourse implies incompetence and focuses on Trump’s unconventional presentation style that he is often ridiculed for.
Images- Large, central, slightly comical image that represents Trump as bullish and domineering through gesture codes, confidently striding whilst holding the British PM firmly by the arm. The US and UK flags connote patriotism and act as a reminder of the special relationship the countries have historically.

Supplements-  Positive lexis “incredible journey”, “award-winning”; direct address “your” with attractive images to promote them.

Steve Neale- genre is a process by which genre codes and conventions are shared by producers and audiences through repetition in media products.

Roland Barthes- semiology is the study of signs. Signs have denotations and connotations. These can create ‘myths’.
This is when ideological meanings are formed by repetition. E.g. Trump’s rise to power, as a populist ‘anti-establishment’ businessman turned politician is a myth he himself promotes. His hair is a ‘signifier’ of this and a “magical object” that people come to associate with his mythology.

                                                                 
Ownership:
Funded by Scott Trust, existing solely to support the production of the Guardian and purports to uphold journalistic freedom and liberal values
Advertisers include car manufacturers, wine clubs, electrical stores, supermarkets (co-op), tech brands which generate revenue for the Guardian newspaper.
Regulation:
UK has free press.
Self-regulated rather than IPSO. Administered by an independent readers’ editor with an appeals panel back-up.

Distribution/circulation:
Print sales in decline due to technology and availability of free online news. Offers a subscription service to encourage regular customers, which rewards with reduced price. Also offers home delivery service within M25. See Audience. Still considered more trustworthy as a source than online outlets and most print newspapers (e.g. compared to Daily Mail, audience trust scores are high) with high standards of fact-checking and impartiality which would not be possible online due to the expectation of fast news by audiences.



Curran and Seaton- Power and Media Industries
The Guardian is unique in that it is not owned by a conglomerate. C &S looked at how capitalism creates a pattern of increasing concentration of ownership into fewer hands which narrows the range of opinions and puts profit ahead of creativity or quality.

Hesmondhalgh- Cultural Industries
Cultural production owned and controlled by a few conglomerates- not in the case of the Guardian.

Livingstone and Lunt- Regulation
Looked at how technology (digital media, media convergence, globalised media industries) has made traditional regulation (like Ofcom/IPSO) more difficult.

A                                                                                                                                                   Audience
R                                                                                                                                              Representation

Demographics: lower % of over 65s (DM has highest), 28% are Millenials (under 35s) , with an even gender split. 86% are ABC1 and 65% educated to degree level or higher.

Psychographics: Guardian say- progressive, active fashion and tech consumers, well-travelled, finance savvy, affluent and well educated, passion for food, art and culture.

Political affiliations: Left wing. Tend to be Labour or Liberal Democrat voters. Therefore discourse tends to favour more liberal, progressive narrative. This is reflected in the representation of Trump. It may also cultivate that opinion in its readers
                                                      
Stuart Hall- reception theory
Text producers encode, audiences decode. Their responses are shaped by a range of social, cultural factors and may be preferred, negotiated or oppositional. A preferred reading of the splash and main image would be one that sees Trump as lacking finesse and ability as a politician.

Clay Shirkey- End of Audience
Print newspapers use the old model of ‘filter then publish’, hence more reliable than online. See Industry.
Trump is represented as confident, bullish and somewhat incompetent. See Media Language.
The image depicts him as in control, front and centre compositionally; head raised to the cameras, whilst May faces the floor, his hand on her arm (as if she is being escorted somewhere). His raised hand connotes a playfulness but when anchored by the headline about fake news, is also conspiratorial, which further reinforces ideas about Trump’s unconventional relationship with the media.

Men are represented in two ways in the splash and the teaser for the World Cup souvenir. In the Trump story, we can see a traditional representation where the male politician appears to be in control and have political power. This is contradicted somewhat through the article’s undermining of Trump’s credibility. Nonetheless, he still remains the focus of the lead story about their meeting.
 The footballers display a range of emotions but the main one is Harry Kane, teeth bared in a show of passion or aggression. Overall, the images represent men in a traditional way: athletic and competitive, but it could be suggested that the image of Jordan Pickford crying offers a more modern representation.

Stuart Hall- representation is not about whether the media distorts or reflects reality because that suggests there is a ‘true’ meaning, when in fact many meanings can be generated in the audience.

Gauntlett- identity
Media helps audiences to shape their own ideas about identity. The media offers a diverse range of identities for us to consider, particularly new media.
Van Zoonen- Feminist theory
In patriarchal culture, women’s bodies represented as objects, mens’ as spectacle.

Daily Mail / Guardian newspapers November 7 2018 - create a table, print screen examples, answer the questions below

 ;



Apply  print analysis skills colour, layout, image, language, typography and meaning. Write up your findings for revision.

When does the newspaper go from hard news to soft news, what page?
What do the adverts say about the readers?
Find examples from the newspapers that demonstrate opinions, news values, ideas, beliefs…

What other findings? 

News contexts


Media Contexts
For Q3/4, you will need to show knowledge and understanding of the influence of media contexts on some element of the industry (eg. ownership, regulation, funding, etc.)

Social
How producers reflect their society- the social anxieties, the agreements, conflicts and inequalities between social groups.

Issues of class, race, inequality and conflict.

Attitudes to gender, sexual orientation.

Audiences categorised by psychometrics as well as demographics.

Social identity politics- me too, black lives matter.

Cultural
How media products reflect their surrounding culture- the way of life, the arts and popular culture; including cultural change, conflicts and ideologies.

Online technology- most consume news online and through social media.

Younger audiences prefer online over print.

Less inclined to pay for content as available for free digitally.

Print traditionally seen as more prestigious than online.

Prosumers.
Convergence and synergy.
Citizen journalism.

Fake news- lack of regulation online.

Economic
The influence of the economic system on media, including on funding, the profit motive and competition between producers.

Journalism driven by profit motive in free market capitalism.

Money raised from advertising increased importance of marketing.

Loss of revenue from print news as news moves online.

Mail owned by powerful conglomerate.

Guardian funded by Scott Trust, quality over profit.

Paywalls and other ways of raising revenue.

Political
The political system and forces within which the media operate and which they influence, particularly the effect of these on ownership and control and regulation.

Newspaper aligned to political parties or ideologies.

Leveson report criticised links between politicians and newspaper producers.

UK has history of Press Freedom- no legal interference but permitted to be politically biased.

Power of online media- fake news, Cambridge Analytica.

IPSO


Historical
How media products reflect historical events and historical changes in other contexts.

Egs
Leveson enquiry

Technological progress.

Major events Brexit, Trump.

Political conflict.




Blog Tasks 1B

BLOG TASKS 1B
Label
Title
Task
Done
LIAR
Assessment 1A
Upload and reflect on where you can improve

Print and online comparison
Screencast online and print comparison


Representation of Youth
Anarchy article worksheet
(revision task 4)

Representation
Bias in the news
Homework table, one front cover per bias


Gerbner
Front covers polarising news stories (task 1)

Language
Tabloids v Broadsheets
Codes and conventions of tabloids and broadsheets


Front cover analysis
Front cover analysis


Newspaper article analysis
Newspaper article analysis


Mirror v Times language
Analyse the twins’ article (task 2)


DM vs Guardian online
Leeds car crash online analysis (task 3)

Industry, Audience
Newspaper circulation and readership. Print/Online
Circulation and Readership table

Industry

News history and regulation IPSO

Construction

Newspaper front cover –planning and evaluation

Vocabulary

News terminology video



News values

Theory

Shirky – end of audience